Azuria #7

Recibí con ilusión el número 7 de Azuria, la publicación anual de Geelong Writers, en la que aparece una modesta contribución mía, una narración muy cortita titulada 'Elma Donna', en inglés.

Lo que era motivo de gran alegría se convirtió en decepción cuando comprobé que alguien había introducido un cambio - en apariencia nimio - en el texto, pero que lo reducía a una inmensa chorrada sin sentido. La errata introducida por el editor reemplazó "Franco", ese genocida fascista que parece cabalgar de nuevo, triunfal en su 155, por campos ibéricos, con el nombre del personaje principal del cuento, "Frankie".

'Elma Donna' es una historia de ficción basada en experiencias reales, pero cualquier parecido con la realidad es una mera coincidencia. Ja.

Elma Donna

I had not seen him for at least seven years; nor spoken to him for probably a few more. Once I had moved to the other side of the world, keeping up with developments in my home town had been difficult. Despite the quick uptake of technologies everywhere by almost everyone, distance has a way of imposing a veil of secrecy on other people’s lives.

I had arrived in Valencia a few days before Christmas. I had plenty of time to catch up with friends and family. My brother had asked me if I wanted to come along and pay a visit to Franky Rabbit. It was mid-afternoon, and TV shows were incredibly boring or stupid, so I said yes.

‘Is he still selling drugs?’ I asked my brother.

‘Sip. Still in the business.’ He shrugged his shoulders as if to mean that things may change from time to time, but certain people won’t ever change. I did feel like having a little smoke of hash, so I decided to tag along.

Rabbit Frankie had been a kid from our neighbourhood. We had seen him on the streets day after day, although he had attended a different school than ours. Our parents had wanted us to do better than most and had therefore enrolled us in a semi-private school. I had transferred to the local public high school as soon as I turned 14. Franco had died three years before, and switching to the state high school had been a blessing in disguise.

My brother was driving in the mid-afternoon dusk. The December air soon felt chilly and damp. The Mediterranean is great in summer, but in winter, soon after sunset, its humidity soaks into your bones and chills you down

Rabbit Frankie was renting a flat in the north-west of the city. Rentals were not expensive in those days, and he was certainly making a killing. Besides his drug dealing, my brother told me on the way there, these days Frankie had achieved honourability by getting himself a job as a public servant.

‘You must be kidding’, I replied incredulous.

‘Not at all,’ my brother quipped. ‘And so the public enemy became the public servant.’

So bloody typically Spanish, I thought. Apparently, Frankie had used his jet set connections to his advantage, and some obscure government official had picked him for a non-existent position within an even obscurer division in the Regional Department of Health. The irony did not escape anyone. It was like putting the wolf in charge of the herd of sheep.

We parked the car.

***

The bell rang, pressed by my brother’s middle finger. After ten seconds or so the door opened and Frankie’s face appeared behind it. And suddenly I wished him hurt, suffering. I could have even wanted him gone for good. Let this prick suffer, for goodness’ sake. He deserves it more than anyone else I know!

Elma. Seeing him after all these years had brought her back. A beautiful girl with a great future ahead, all the boys in the neighbourhood were secretly in love with her, or at least admired her beauty. Gleaming straight black hair, gracefully shaped, an enchanting smile beneath warm, fiery black eyes. Why she had chosen him, we never knew. Elma went out with Frankie for years – and was loyal to him even when he got first in trouble with the law as a trifling neighbourhood dealer. He was then a minnow dreaming of hitting the big time.

Seeing his stupid face after so many years stirred some bad memories. How Elma had jumped off the rear balcony of her 7^th-floor home. How had such a young life full of possibility been brought to an abrupt end? We never knew what drove her to such profound despair.

Frankie did not seem to recognise me at first. Then my brother mentioned I had only been back a few days, and that I’d be partial to some weed.

‘Oh, you’ve been abroad now for a few years, yeah?’

I just nodded. My brother kept on: ‘Australia, man! My bro’ here went to Australia. He has kangaroos and koalas in his garden! Ain’t that awesome?’

‘Wow! Is that so? One day I’m gonna travel over there and have a swim at that pool where Crocodile Dundee took that American babe. Oh my, what a woman! Nice curves and even better legs, mind you. Yet my favourite is still Madonna, you know?’

‘Is she just?’ I quipped. ‘You know, I share something very special with Madonna! Something real special you will never share.’

Frankie raised his eyes and shook his head to one side to move that silly fringe of his out of his sightline. ‘And what might that be, show-off?’

‘We were both born on 16 August.’

Happy Birthday to you (and myself!). Fotografía de Jonas Bengtsson.

***

We didn’t stay long. My brother gave Frankie a couple of crisp €10 notes. We (or rather, I) had got what I wanted, so there was no point in humouring the despicable human being Frankie was. But there was no stopping him. That’s what coke does to some people: they talk rubbish nonstop.

He had been going on about AIDS and whatnot when he suddenly brought back the singer into the conversation. ‘You know what Madonna started singing at her last gig?’

‘Nope,’ my brother joined in.

Frankie switched to English. ‘Hey, you, don’t be silly, put a condom on your willy!’

I must have winced quite noticeably, because Frankie suddenly stared at me and asked if he hadn’t pronounced everything correctly.

‘Yes, mate,’ I tried to reassure him and said in English. ‘Queen’s English, jus’ purrfect!’

The idea sort of floated in the air, which stank of cigarette smoke.

‘Time to hit the road for us,’ my brother said. ‘Thanks, see you around, Frankie.’

‘Hasta la vista, baby,’ was Frankie’s rejoinder.

‘Great story about Elma Donna, Frankie,’ I said while heading towards the door. ‘I’m sure you will never forget Elma Donna, will you?’

I turned around as I reached the door and fixed him with my eyes. Whether he had got the message or not, I did not care. Elma’s name had been pronounced loud and clear enough to prick his conscience. If he ever had one.

El séptimo número de Azuria incluye piezas en prosa de Geoffrey Gaskill, Ross Jackson y Francesca Juraté Sasnaitis, y poesía Michael Fitzgerald-Clarke, Robert Drummond, James Gifford, Rory Hudson, A.A. Jonynas, Bernard Montini, Christina Murphy, Sarah-Rose Mutch, Elena Lilian Popescu, David Rabokidze, Francesca Juraté Sasnaitis, Edith Speers, Lidija Simkute, Justine Stella y Ted Witham, con tres reseñas a cargo de Ted Reilly.

Azuria #3

Hoy he recibido con alegría el número 3 de Azuria, la modesta revista literaria que publica el grupo Geelong Writers, de la ciudad de Geelong, en el estado de Victoria. En este número tres figuran tres poemas míos de 2013, escritos en inglés: ‘Drivers’, ‘Grief’ y ‘Swallows, show me the way’. Además, el número 3 de Azuria incluye dos poemas en lengua catalana de Juli Capilla cuyas traducciones al inglés tuve tanto honor como gusto de realizar: ‘Silenci’ y ‘Cendra’.

El proyecto Azuria sigue creciendo y enriqueciéndose. Bajo la batuta de Ted Reilly, Azuria cuenta ahora con un equipo editorial que integran cinco personas. Es motivo de alegría ver cómo prospera un proyecto de orígenes tan humildes, y comprobar que, pese a su expansión, continúa haciendo gala de tanta modestia como al principio.

Este número 3 incluye cuentos de Biruté Jonuskaité, R. Martínez Mendoza, Natasha Sampson, Jean Thornton y Johnathan TG Tiong; poemas de Juli Capilla, Kristiina Ehin, Anna Habryn, Aidas Marcénas, Lidija Simkuté, Ouyang Yu, Yu Cong, Janet Baird, Brian Edwards, Rory Hudson, Richard Kakol, Kerry Shawn Keys, Loh Guang Liang, Rose Lucas, Elizabeth Murawski, Christopher Ringrose, Ian C Smith, Vicky Tsaconas y un servidor; ensayos a cargo de Dzavid Haverié, Richard Benesevich y Yasmin L. Wallace; y la reseña del libro A Wolf at Our Door de Jura Reilly, a cargo de Martin Hooper.

Uno de los tres poemas que figuran en Azuria 3 lo he compartido en mi otro blog, Timeless Swoon. Se trata del soneto ‘Swallows, show me the way’, del que solamente me atrevo a decir que es de temática engañosamente amorosa. Confío en que te guste.

Azuria #2

I have a good reason to be glad, as I have finally received my copy of the second issue of Azuria, the multicultural writing journal published by Geelong Writers Inc., and edited by Dr Ted Reilly. The second number contains essays by Bronwyne Thomason, Sandra Jobling, Don Morreale and Laura Galea, poetry by Janina Osweska, Ted Witham, Shu Cai (translated by Ouyang Yu), Rumi Kumonz, Mirjana Margetic, Jennifer Fitzgerald, Richard Kakol, Ouyang Yu, Kerry Shawn Keys, Lidlia Simkute, Rory Hudson, Ian C. Smith and Ken Sheerin, and short stories by Krzysztof Czyzewski, Jane Downing, Jura Reilly and Raghid Nahhas.

My contribution to this second issue of Azuria comprises three poems in Catalan: ‘El teu arbre’, ‘QF846’, ‘Sense títol’, with English translations.

Azuria is a unique showcase of multinational, multicultural literary work, and I have no doubt it will soon become an important reference point for transnational and transcultural literatures.

Should you be interested, you can order your copy of Azuria #2 by emailing The Treasurer (jurareilly[at]hotmail.com) or via ordinary mail from:

Geelong Writers Inc., PO Box 1306 Geelong Victoria 3220 Australia.

Cost is $25 per copy, postage included. (Enquire about international post costs, as they may differ).